<?xml version="1.0" encoding="UTF-8"?>
<item xmlns="http://omeka.org/schemas/omeka-xml/v5" itemId="39" public="1" featured="0" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://omeka.org/schemas/omeka-xml/v5 http://omeka.org/schemas/omeka-xml/v5/omeka-xml-5-0.xsd" uri="https://earlymoderneurope.hist.sites.carleton.edu/items/show/39?output=omeka-xml" accessDate="2026-04-26T06:45:44+00:00">
  <fileContainer>
    <file fileId="40">
      <src>https://earlymoderneurope.hist.sites.carleton.edu/files/original/d0f7af1d118cfa55fe269eae4acf50b3.jpg</src>
      <authentication>c9ddcec30b3676dbb2056b0c86edff08</authentication>
    </file>
  </fileContainer>
  <itemType itemTypeId="6">
    <name>Still Image</name>
    <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
    <elementContainer>
      <element elementId="7">
        <name>Original Format</name>
        <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
        <elementTextContainer>
          <elementText elementTextId="378">
            <text>Photograph</text>
          </elementText>
        </elementTextContainer>
      </element>
    </elementContainer>
  </itemType>
  <elementSetContainer>
    <elementSet elementSetId="1">
      <name>Dublin Core</name>
      <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
      <elementContainer>
        <element elementId="50">
          <name>Title</name>
          <description>A name given to the resource</description>
          <elementTextContainer>
            <elementText elementTextId="371">
              <text>Ospedale degli Innocenti</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="37">
          <name>Contributor</name>
          <description>An entity responsible for making contributions to the resource</description>
          <elementTextContainer>
            <elementText elementTextId="372">
              <text>Kaan Taskintuna</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="40">
          <name>Date</name>
          <description>A point or period of time associated with an event in the lifecycle of the resource</description>
          <elementTextContainer>
            <elementText elementTextId="373">
              <text>1419</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="41">
          <name>Description</name>
          <description>An account of the resource</description>
          <elementTextContainer>
            <elementText elementTextId="374">
              <text>Filippo Brunelleschi (1377-1446), one of the most prominent architects of early Renaissance, designed Ospedale degli Innocenti. The "Hospital of the Innocents" was built in mind for infants who had been abandoned by their parents and is one of the most notable examples of early Italian Renaissance architecture (Wiesner-Hanks 153). &#13;
&#13;
With Ospedale degli Innocenti, Brunelleschi meticulously sought to achieve balance and harmony. The design is a visual representation of the transition from the Byzantine Era to the Renaissance. The planning includes rounded arches, windows with equal proportions, detailed carvings of religious figures, and elements that are placed according to geometric and mathematical calculations. The height of the columns, for example, is the same length as the space between each column ("Arcade").&#13;
&#13;
Besides being an important work of art, what makes this Brunelleschi's design with Ospedale degli Innocenti significant in the big picture is the fact that the cultural and artistic transition started finding its place in the lives of ordinary people. The return to classical antiquity was beginning to physically manifest itself in the built space of societies. &#13;
&#13;
&#13;
References:&#13;
"Arcade, Architecture." Encyclopædia Britannica. Accessed November 18, 2018. https://www.britannica.com/.&#13;
Wiesner-Hanks, Merry E. Early Modern Europe 1450-1789. Cambridge: Cambridge University Press, 2016.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="48">
          <name>Source</name>
          <description>A related resource from which the described resource is derived</description>
          <elementTextContainer>
            <elementText elementTextId="375">
              <text>https://www.europeana.eu/portal/en/record/9200369/webclient_DeliveryManager_pid_6349043_custom_att_2_simple_viewer.html?q=Ospedale+degli+Innocenti &#13;
&#13;
</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="39">
          <name>Creator</name>
          <description>An entity primarily responsible for making the resource</description>
          <elementTextContainer>
            <elementText elementTextId="376">
              <text>Filippo Brunelleschi</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="47">
          <name>Rights</name>
          <description>Information about rights held in and over the resource</description>
          <elementTextContainer>
            <elementText elementTextId="377">
              <text>Unrestricted online access (CC BY-SA 4.0)&#13;
</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </elementSet>
  </elementSetContainer>
</item>
