https://earlymoderneurope.hist.sites.carleton.edu/files/original/7064fae3b28ebec175b192bcb54dc64d.jpg 2b11637fa62e3a0ffa0d45dafc084d64 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medal in Commemoration of the St. Bartholomew's Day Massacre Creator An entity primarily responsible for making the resource Pope Gregory XIII Contributor An entity responsible for making contributions to the resource Matthew Walsh Date A point or period of time associated with an event in the lifecycle of the resource c. 1572 Source A related resource from which the described resource is derived Wikimedia Commons, original image available <a href="https://en.wikipedia.org/wiki/File:Gregory_XIII_medal.jpg" target="_blank" rel="noreferrer noopener">here</a> Rights Information about rights held in and over the resource Public Domain, with full explanation on image page above. Description An account of the resource This medal was commissioned by Pope Gregory XIII in commemoration of the St. Bartholomew’s Day Massacre, one of the bloodiest events of the French Wars of Religion. Catholics targeted and killed many prominent Protestants who were in Paris for the wedding of the king’s sister and the Protestant King Henry of Navarre. Estimates of the death toll vary widely, from thousands to tens of thousands (Wiesner-Hanks, 193). It weakened the Huguenot cause by killing off many of its important leaders, radicalized those who remained Protestant, and provoked continued bloodshed and violence between France’s two religious groups. In response to hearing of the massacre, Pope Gregory XIII ordered that the solemn canticle of thanksgiving, the Te Deum, be sung. Paintings of key events from Paris were commissioned by famed artist Giorgio Vasari. Gregory XIII also ordered this medal struck. It features on the obverse his bust, and on the reverse the Latin phrase “UGNOTTORUM STRAGES”, translated as “Overthrow of the Huguenots.” Catholic sources emphasize that the pope had no advance warning of the massacre and also suggest that the news reports which reached Rome implicated the Huguenots in a plot against the king’s life (Goyau, np). Nevertheless, this medal symbolizes the heavy response of the papacy to the Protestant Reformation sweeping Europe and the often violent measures the Bishops of Rome employed and endorsed in an effort to stamp out heresy. The medal also shows that national political events were inextricably linked to larger, European religious developments and that the papacy was a distinctly international institution.